OGAWARA AYA

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Laura dans Le Genou de Claire d'Eric Rohmer ::Le moral se voit dans le physique

Themes and "Form" in Eric Rohmer's Le Signe du Lion : In Reference to Hitchcock

Mechanics and Morality::Hitchcock's Rope in reference to Rohmer and Chabrol

'Chance' and Cinematic 'Hyper-Directness' in Eric Rohmer's La Boulangere de Monceau (In Response to Kenta Tamada's Essay 'A Film Resists the Protagonist')

Time and Memory in the Moving Image: Yubari on Film

Landscape, Topology, and Television Programs : Thoughts on Archives and Lost Everyday Life (Part 2) Sanriku

When the cinematographic image meets us: the relationship between man and the world in Eric Rohmer's La boulangere de Monceau

Creativity in Jean Rouch's Film La Pyramide humaine : Based on Deleuze's Idea of 'the Power of the False'

Only he who is chosen chooses well or effectively (Deleuze): The World View Cinematographically Conveyed in MA NUIT CHEZ MAUD